Three dancers who talked to Crosscut strongly disagreed with Forbes’ characterization, and their information was reinforced in the L&I report, which included input from eight anonymous dancers. ![]() Tips that dancers pay to security people, DJs and servers are strictly voluntary, he said. In a brief interview, Forbes, nephew of longtime, now-retired Seattle strip-club mogul Roger Forbes, said his clubs charge dancers basic house fees - and nothing else. A November 2020 Washington Department of Labor & Industries report said these “house fees” can range from $65 to $165 a shift, with the average fee being greater than $100. Instead, the dancer pays the club to be allowed to dance in it. That means a club does not pay them to dance. The 11 clubs in Washington cannot make money from selling alcohol, so they pile fees on their dancers to make a profit.Īlmost all exotic dancers are independent contractors, not employees of the clubs. Oregon allows the sale of liquor, which has led to a thriving exotic-dancing industry in Portland.Īlcohol sales are a huge revenue source for the Portland clubs. Washington is one of a few states that do not allow liquor to be sold in strip clubs. “This bill would significantly change the relationship between the dancers and the establishments,” Forbes told the Senate Labor & Commerce Committee at a Feb. The key proposed change would allow liquor to be sold at strip clubs, which Saldana, three interviewed dancers, and Eric Forbes, owner of seven Puget Sound-area and two Portland-area strip clubs including Deja Vu and Dream Girls, say would drastically change this scene’s financial dynamics. ![]() Saldana introduced Senate Bill 5614 to change that, as well as to upgrade safety measures and guard against unfair terminations of their contracts. “The whole business model is based on the backs of the dancers,” said Sen. Washington’s exotic dancers work under a brutal, chaotic economic model that the state Legislature is thinking about changing. There’s a love interest (Emma Stone) and a villain (Rhys Ifans) and it all seems like deja vu, however competently handled - and it is competent, in a bland sort of way.After a round of dances on stage, one man opted for a private-room performance. ![]() Somebody should be looking for “a young Andrew Garfield” right now for leading-man duties in 2022’s “Spider-Man Rises.”Īlthough it seems like they just did an “origin story” for the character, here’s another version of how teen Peter Parker (Andrew Garfield) acquired superpowers. We might have to sit through two more of these to fill out the trilogy box set, but Sony and Marvel shouldn’t wait. The kickiness, the oddness, of Raimi’s trilogy has been smoothed over, as though everybody woke up to the thought that a billion-dollar franchise needs to be more professional and less quirky - in a word, safer. Well, it might be sort of boring, if your memory of the 2002 origin story is still relatively fresh.Įverything is well-managed, a few good lines pop (although Raimi’s sense of humor was stronger), and the action is the sort of swooping spectacle ready-made for 3-D and Blu-ray. ![]() It’s not that the movie he swings through, directed by Marc Webb (“(500) Days of Summer”), is awful, or boring.
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